In Europe, the song peaked at number 32 on the Dutch Top 40, number 11 on Flanders' Ultratip Bubbling Under chart, and number 83 on the UK Singles Chart. It stayed on the listing for 22 weeks and went on to become New Zealand's 40th-most-successful hit of 2002. On November 18, 2001, "Standing Still" entered the New Zealand Singles Chart at number 40, reaching its peak of number seven on January 20 and February 10, 2002. Two weeks later, it peaked at number 32 and spent eight more nonconsecutive weeks in the top 50. In Australia, it debuted at number 39 on the ARIA Singles Chart on November 4, 2001. The song also found success internationally. At the end of 2002, Billboard ranked the track at number 87 on their year-end chart. In addition, it reached number 22 on the Billboard Mainstream Top 40. It charted the highest on the Billboard Adult Top 40 Tracks ranking, rising to number three on February 2, 2002, and it peaked inside the top 20 on the Billboard Triple-A and Adult Contemporary listings. After 13 weeks, on the issue of February 16, 2002, it reached its peak of number 25, and it spent a total of 20 weeks in the top 100. "Standing Still" first charted on the US Billboard Hot 100 on November 17, 2001, debuting at number 71. Taylor called "Standing Still" a "jaunty but sophisticated outing, rich in its evolving textures and guitar-fueled folk-pop base". The album version of the song is four minutes and 30 seconds long. According to the sheet music published at Musicnotes, the song is written in the key of D major and has a moderately fast tempo of 124 beats per minute, in common time. The same disc was issued in Japan two days later, while in the United Kingdom, a CD single was released on March 11, 2002. In Australia, a CD single was released on October 22, 2001, containing live versions of "A Long Slow Slide" and "Stephenville, TX". The song was serviced to American hot adult contemporary radio on September 24, 2001, and was sent to contemporary hit radio the following day. Jewel recorded the song at three studios in Nashville, Tennessee: Ocean Way Nashville, Emerald Entertainment, and the Sound Kitchen. Chuck Taylor of Billboard magazine summarized that the song "addresses simple desires with an underlying message about taking forward steps in life", as well as "stepping out and embracing life". She went on to explain that the song was inspired by her three-year hiatus from the music business following the release of Spirit, during which she found it difficult to stay impassioned about her fame. You can really spoiled, and I wanted to get away from and make sure I wasn't standing still". Fame really tolerates a prolonged adolescence, and your fame and career can outgrow your ability to handle it. Jewel revealed the meaning behind "Standing Still" backstage at the 2001 My VH1 Music Awards: "It's about the irony of how much a person travels in my job, and how it can really cause your emotional life to stand still. In New Zealand, it peaked at number seven and was the 40th-most-successful single of 2002. Worldwide, the single reached the top 40 in Australia, the Netherlands, and New Zealand. In the United States, it peaked at number 25 on the Billboard Hot 100 in February 2002 and reached the top 10 on the Billboard Adult Alternative Songs and Adult Top 40 charts. "Standing Still" was released on September 24, 2001, to positive reviews and commercial success. According to Jewel, the song is about stepping back to avoid stagnation from a busy career and wanting a change of scenery from fame. Jewel wrote the song sometime after the release of her previous album, Spirit, while she was taking a break from her music career. Recorded in Nashville, Tennessee, the song was included on her fourth studio album, This Way (2001). A.U." Standing Still" is a song by American singer-songwriter Jewel. As sturdy as any John/Taupin composition, it’s no surprise the song still rings true four decades later. 12 at the Hot 100, proving he could hang with the Duran Durans of the world (even though actually hanging with Duran Duran while filming the clip led to his near-total self-destruction). Its Motown hookiness, northern soul energy, and hint of ’80s pop edge kicked down the doors at MTV - helped, of course, by a globe-trotting and skin-baring Russell Mulcahy music video - and took him to No. Luckily for him, “Standing” quickly revealed itself as a self-fulfilling prophecy. After a rocky end to his ’70s and a couple maybe-maybe-not attempts to jump start his ’80s, Elton sorta needed a no-doubter to officially get himself back in the game, lest the new wave generation leave him for dead like it at least tried to do with so many other ’70s relics. It might not get the classic rock support of most of his ’70s hits, but “I’m Still Standing” was about as important to Elton John’s career as any of ’em.
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